| Blues and the Soul of Man Guitare notes et tablatures [Partition + Accès audio] Mel Bay
Guitar (fingerpicking) SKU: MB.30844M An Autobiography of Nehemiah Ski...(+)
Guitar (fingerpicking)
SKU: MB.30844M
An Autobiography of
Nehemiah Skip James.
Composed by Nehemiah Skip
James. Theory and
Reference, Squareback
saddle stitch. Style.
Book and online audio.
132 pages. Mel Bay
Publications, Inc
#30844M. Published by Mel
Bay Publications, Inc
(MB.30844M). ISBN
9781513464268. 8.75 x
11.75
inches. Skip James was one
of the most influential
early Bluesmen, but his
importance as a stylist
remained undiscovered
until he was brought out
of a long retirement by
the Folk/Blues revival of
the early 1960??s. Born
in 1902 and raised in
Bentonia, Nehemiah Curtis
James was brought up in a
religious family: his
father was a bootlegger
who reformed and became a
Baptist preacher. Skip
learned piano in school
but picked up guitar from
his friend Henry Stuckey.
In 1931 Skip was picked
up by a scout for
Paramount Records and he
cut 26 tracks, of which
18 were released, in a
two day session at their
Grafton, Wisconsin
studios. These recordings
presented a unique and
haunting genius that
influenced legendary
bluesmen as Robert
Johnson, Kansas Joe McCoy
and Johnny Temple. But
the recordings sold
poorly, having been
released during the Great
Depression, and he
drifted into
obscurity. <
span style=font-family:
Arial;> We have included
as online downloads
Skip??s 1931 recordings.
The crackling sound of
these rare recordings
cannot obscure the
brilliance of this
seminal Blues
master. After over 30
year??s retirement from
music, Skip was
rediscovered by Blues
enthusiasts Bill Barth,
John Fahey and Henry
Vestine. They persuaded
Skip to appear at the
Newport Folk Festival in
1964, where his
renditions of his old
songs were still powerful
and moving. His
performances as well as
his old and new
recordings influenced a
generation of new
musicians: Eric Clapton,
Alan Wilson of Canned
Heat, Cream, Deep Purple,
Chris Thomas King, Alvin
Youngblood Hart, Derek
Trucks, Beck, Big Sugar,
John Martyn, Lucinda
Williams and Rory Block
to name a
few. Books on
legendary Blues musicians
written by white
musicologists tend to
offer a subjective
perspective on how the
artists felt, thought or
reacted. A tainted
picture is captured that
has more to do with the
writer??s social and
musical experiences. This
autobiography is
different. The words,
thoughts and feelings
come directly from the
artist??s lips. This is
the story of Nehemiah
??Skip? James told by
Nehemiah ??Skip?
James. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Complete Organ Works of Herbert Sumsion GIA Publications
SKU: GI.G-R031 Edited by Daniel Cook. Sacred. 176 pages. GIA Publications...(+)
SKU: GI.G-R031
Edited by Daniel Cook.
Sacred. 176 pages. GIA
Publications #R031.
Published by GIA
Publications (GI.G-R031).
ISBN
9780854022755. Herb
ert Sumsion was born in
Gloucester in 1899, was a
chorister in that city,
and became an articled
pupil of Sir Herbert
Brewer, the Cathedral
Organist. He later
studied at the Royal
College of Music before
proceeding to organ and
teaching posts in or near
London. After a short
period in America
(1926–1928) as
Professor of Harmony at
the Curtis Institute of
Music in Philadelphia, he
accepted the appointment
of Organist and Master of
the Choristers at
Gloucester Cathedral on
the sudden death of
Brewer. He was able to
take up his duties just
in time to conduct the
1928 Three Choirs
Festival, immediately
justifying the confidence
placed in him by the high
standard of his direction
and musicianship. Sumsion
was honoured with the
Lambeth Doctorate of
Music in 1947 and awarded
the CBE in 1961. He
retired from the post at
Gloucester Cathedral in
1967 and continued to be
active with teaching and
composition until shortly
before his death in 1995.
He had a special sympathy
for the works of the
English composers
stemming from Vaughan
Williams and Elgar, and
was responsible for
bringing works of younger
composers to the
attention of the British
public.Two great English
choral works of this
century - Herbert
Howells’s Hymnus
Paradisi and Gerald
Finzi’s Intimations of
Immortality - received
their premieres at the
1950 Gloucester Festival.
These two composers were
particularly close
friends of Sumsion. It
would follow then that
Sumsion’s own
compositions are in this
same mould, yet there is
a very distinct style
that endears his music to
singers and listeners
alike. Church music has
benefitted tremendously
from his work, for his
compositions in this
medium have been prolific
and wide-ranging. Many of
his choral works are
published by The Royal
School of Church
Music. $35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Collusions Piano seul [Partition] Edward B. Marks Music Company
Pieces for Solo Piano. By William Bolcom, Curtis Curtis-Smith. E.B. Marks. Softc...(+)
Pieces for Solo Piano. By
William Bolcom, Curtis
Curtis-Smith. E.B. Marks.
Softcover. 16 pages.
Published by Edward B.
Marks Music Company.
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| What Praise Can I Play for Weddings? Piano seul - Intermédiaire/avancé Alfred Publishing
(Easily Prepared Piano Arrangements for Wedding Ceremonies). Arranged by Carol T...(+)
(Easily Prepared Piano
Arrangements for Wedding
Ceremonies). Arranged by
Carol Tornquist. For
Piano. Book; Piano
Collection; Piano
Supplemental; Worship
Resources. Sacred
Performer Collections.
Contemporary Christian;
Sacred; Wedding. Early
Advanced; Late
Intermediate. 40 pages.
Published by Alfred Music
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Masquerades Orgue Edward B. Marks Music Company
Organ solo SKU: SU.80601480 For Organ solo. Composed by Curtis Cur...(+)
Organ solo SKU:
SU.80601480 For
Organ solo. Composed
by Curtis Curtis-Smith.
Keyboard, Organ. Score.
Edward B. Marks Music
#80601480. Published by
Edward B. Marks Music
(SU.80601480).
Commissioned by
William Albright,
Masquerades is recorded
on CRI.Organ solo
Composed: 1979 Published
by: E.B. Marks. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Olosabut (1885) Carl Fischer
Chamber Music Tuba, Piano SKU: CF.W2693 The World's Oldest Tuba Solo(+)
Chamber Music Tuba, Piano
SKU: CF.W2693
The World's Oldest
Tuba Solo. Composed
by William Pettee. Edited
by Curtis Peacock. Sws.
Set of Score and Parts.
8+2 pages. Carl Fischer
Music #W2693. Published
by Carl Fischer Music
(CF.W2693). ISBN
9781491158586. UPC:
680160917198. 9 x 12
inches. While
unknown today, composer
William Pettee
(1839a1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880a1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (atuba soloa
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwellas Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Petteeas
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839-1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880-1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (tuba solo
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell's Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Pettee's
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839–1891) was clearly
a remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880–1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and
orchestra.Olosabut
(“tuba solo” spelled
backwards) from 1885 is
possibly the oldest
American tuba solo to
survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell’s Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Pettee’s
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. $14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Awakr Thou Wintry Earth Clarinette, Violon (duo) [Conducteur et Parties séparées] Theodore Presser Co.
Duo for Clarinet and Violin. By William Schuman. For Clarinet, Violin. The Premi...(+)
Duo for Clarinet and
Violin. By William
Schuman. For Clarinet,
Violin. The Premiere was
given on March 10, 1987
at Alice Tully Hall by
Mr. Neidich and Violinist
Curtis Macomber.
Classical. Score and
parts. 18 pages. Duration
16:30. Published by
Theodore Presser Company.
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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